Times Change

Hello everyone!

I already started with my lessons for the incoming freshman architecture student. We are doing good so far. We're tackling architectural drafting in pencil and, pen and ink; freehand drawing in pencil and, pen and ink; and, watercolor and mixed-media rendering. Later on, we'll have perspective drawing (both the guesstimate and technical method), scale model making, and lastly, introduction to history and design. All in one-and-a-half months. *inhale*

Tomorrow, there will be another student, and this one's an interior design sophomore who's having difficulty catching up with the technical drawings part of the course. She's good, she's intelligent, but she's just beginning to learn technical drawing skills, and college is too fast for real beginners whose professor tells her she needs to improve her work without telling her how or why, or at least, recommending any book she could pore over to understand the subject. According to her, she recognizes that her technical drawings are not at all up to par with what's acceptable in the college... especially at the end of freshman year, but she doesn't know how to achieve that.

Each of them has her own set of lessons that would be more specific to each of their needs.

I never thought I'd see the day that college students will pay for tutorials as many do for elementary and high school students. It both amuses and disturbs me a bit. And in case you're wondering how am I teaching them, I'm a professional architect and taught architectural drafting for five years, and art class for elementary students for another three years.

And my Paris scrapbook took a backseat. Again.

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Ms. Ilyn is a licensed architect who decided that teaching arts and crafts, or making them, is way more fulfilling than dealing with contract documents, estimates and technical specifications. She taught Architectural Drafting and Painting to High School Students for five years, and Arts for Pre-K to Grade 3 Pupils for three years. Now, she's back to dealing with the nitty gritty of architecture, but the meditative aspect of papercrafting remains unchanged.

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